top of page

PROGRAMME

08.30- 09.00 >  Registration

 

09:00- 09.30 >  Welcome and Presentation

 

09.30-10.30 >  Panel 1: Critical Perspectives in Global Art History

 

Keynote: Monica Juneja (Universität Heidelberg, Germany)

The Ethnic and the Global – Tangled Trajectories of the “Primitive” in Modern and Contemporary Art

 

Convenor: Anna Maria Guasch (Universitat de Barcelona, Spain)

 

 

10.30-11.45 >  Presentations

 

Renate Dohmen (Open University, UK) 

Radical ‘Thick’: Re-Thinking Art and the Global

 

Anne Nike Van Dam (Leiden University, Netherlands) 

Global Art: A Challenge in Language? How Reviewing Language-based Practice in Art History May Change Our Art Historical World

 

Daniel López del Rincón (Universitat de Barcelona, Spain)

Diálogos interdisciplinares. Aprendiendo de la relación problemática entre el arte tecnocientífico y el arte contemporáneo canónico

 

11.45-12.15 >  Coffee Break

 

12.15-13.00 >  Presentations

 

Anna K. Brus (University of Siegen, Germany)

Appropriation and Alterity in Global “Tourist Art”

 

Christian Kravagna (Academy of Fine Arts, Vienna, Austria) 

Painting Global Art: Hale Woodruff's Atlanta University Murals

 

13.00-14.00 >  Discussion

 

14.00-16.00 >  Lunch

Day 1

THURS., 28 April, A.M.
Aula Magna, Faculty of Geography and History,
carrer Montalegre, 6, 08001 Barcelona
THURS., 28 April, P.M.
Aula Magna, Faculty of Geography and History,
carrer Montalegre, 6, 08001 Barcelona

16.00-17.00 > Panel 2: “Close Others” in “The West”

 

Keynote: Klara Kemp-Welch (The Courtauld Institute of Art, UK)

Translation and the Dialogic Imagination: From Critical Theory to Experimental Art

 

Convenor: Nasheli Jiménez del Val (Instituto de Investigaciones Estéticas, UNAM, Mexico)

 

 

17.00-17.45 >  Presentations

 

Jaime Vindel (Universidad Complutense, Spain)

Geoestéticas (y geopolíticas) del exilio: Adolfo Sánchez Vázquez y la praxis creadora como impugnación del marxismo occidental

 

Jacopo Galimberti (Institut d’Études Politiques de Paris, France) Global Maoism. Painting Mao after Duchamp

 

17.45-18.15 >  Coffee Break

 

18.15-19.00 >  Presentations

 

Beata Hock (Leipzig University, Germany) “Modernisierungsvorsprung”: Gender Regimes and Image Politics in the Cold War

 

Andrea Díaz Mattei (Universitat de Barcelona, Spain) 

“Los argentinos descendemos de los barcos”, pero ¿de cuáles?

 

19.00-20.00 >  Discussion

10.00-11.00 >  Panel 3: Visualizing Global Networks

 

Keynote: Béatrice Joyeux-Prunel (École Normale Supérieure,         France)

Graphs, Charts, Maps: Plotting the Global History of Modern Art

 

Convenor: Paula Barreiro López (Universitat de Barcelona, Spain)

 

 

11.00-11.45 >  Presentations

 

Antje Kramer (Université Rennes 2, France)

Reframing a Transnational History of Art Criticism in the Shadow of the Iron Curtain

 

Giulia Lamoni (Universidade Nova de Lisboa, Portugal)

Exploring the Role of Friendship in Transnational Artistic Networks: Lourdes Castro in Paris (1960s-1970s)

 

11.45-12.15 >  Coffee Break

 

12.15-13.00 >  Presentations

 

Gabriela Aceves Sepúlveda (Simon Fraser University, Canada)

Visualizing Alternative Cartographies of Artistic Exchange during the Global Sixties: El Corno Emplumado / The Plumed Horn, Mexico City 1962-1969

 

Katarzyna Cytlak (Conicet, Argentina)

Towards the Globalized Art World. The Self-Invention of the CAYC- Centro de Arte y Comunicación (Center for Art and Communication) Seen in the Decolonial Perspective

 

13.00-14.00 >  Discussion

 

14.00-16.00 >  Lunch

Day 2

FRI., 29 April, A.M.
Auditori, MACBA,
Plaça dels Àngels, 1, 08001 Barcelona
FRI., 29 April, P.M.
Auditori, MACBA,
Plaça dels Àngels, 1, 08001 Barcelona

16.00-17.00 > Panel 4: Art-as-Intervention-in-Reality: “Ecology of Knowledges” and Institutional Practices

 

Keynote: Maria Hlavajova (Basis Voor Actuele Kunst, Netherlands)

How to be Together Otherwise

 

Convenor: Christian Alonso (Universitat de Barcelona, Spain)

 

17.00-17.45 >  Presentations

 

Annette Bhagwati (Haus der Kulturen der Welt, Germany)

Connecting Ways of Knowing. Art and Institutional Practice at the Haus der Kulturen der Welt, Berlin

 

Miguel Amado (Middlesbrough Institute of Modern Art, UK)

The Useful Museum: From John Ruskin to Post-New Institutionalism - The Case of 'Localism' at Middlesbrough

Institute of Modern Art

 

17.45-18.15 >  Coffee Break

 

18.15-19.00 >  Presentations

 

Andrew Weiner (New York University, USA)

Contingency, Ecology, and Solidarity: Exhibitions of Tricontinentalism

 

Lorena Lozano (Universidad de Oviedo, Spain)

Transversal Art Practices in the Intersection of Science and Humanities

 

19.00-20.00 >  Discussion

 

20.00-20.30 >  Closing Remarks

bottom of page